Inspiration

When I first started reading Haruki Murakami's What I Talk About When I Talk About Running I got bummed out. A friend had given the book to me because he knows I'm into running and writing, occasionally at least, and Murakami's book is about how he connects the two.

I didn't know Murakami from a pothole, but I was anxious to read the book. The book is thin, and after just a few pages I could tell that I liked the author's style, albeit style translated from Murakami's native Japanese.

But after just a few more pages I reached a crossroads: keep reading and feel really bummed about the fact that I haven't been writing much, and that I've put my running on hold because of a nagging groin injury, or plow ahead and try to get something out of it.

I chose the latter path and am certainly glad I did.

Murakami has an easy way of writing, but he's very straightforward about how hard he works at it. "I have to pound the rock with a chisel and dig out a deep hole before I can locate the source of creativity," he writes. "To write a novel I have to drive myself hard physically and use a lot of time and effort."

He puts the same effort into running. During a 62-mile race, he feels his entire body breaking down. And as so many long distance runners know, Murakami's battle was as much mental as it was physical. He comes up with a mantra to get himself through the roughest miles: "I'm not a human. I'm a piece of machinery. I don't need to feel a thing. Just forge on ahead."

Repeating these lines and narrowing his focus to the three yards in front of him, he plods forward. Finally, at mile 47, he "passed through something....After that, I didn't have to think anymore."

He is upfront about aging (he was 56 when he started writing the book; he's 63 now) and how he has to lower his expectations for training and running or doing triathlons. He admits to his quirks (he can be somewhat anti-social, not unlike a lot of writers, yours truly included), discusses a few hobbies (he's a major, major record collector) and makes a book about running and writing flow by very easily and quickly.

I certainly plan to read some of his fiction now that I've read his memoir.

As for what I got out of the book, there are two answers. First, I realized that I have to keep myself in shape until my groin feels better, so recently I started going to the gym regularly for the first time in five years. Second, I started working on a memoir of my own.

I know, I know, the memoir market is tighter than Monty Burns' wallet. Everybody and their brother, mother, sister, father and backwoods cousin has put out a book in recent years talking all about drug addiction and recovery, setting up schools in Afghanistan, traveling to Venus with their pet monkey, ad nauseam.

So what do I have to add to all this? I don't know, but I'm working on it.

I'm mining material I used for some of the stories in my first book, (C)rock Stories: Million-Dollar Tales of Music, Mayhem and Immaturity. Yes, I'm churning through the tale of my four-month odyssey in 1988 on the road from New England to New Mexico and back.

Four years ago I posted a 10-part series on my old (but still active) blog, DaveBrigham.com, looking back 20 years to the trip I took with three buddies in a 1977 Dodge Tradesman van. I remember at the time that my buddy Jay Kumar said something along the lines of, "You should put that stuff together into a book."

Well, it takes me a while, but I do listen to my friends. My buddy Ric Dube, like Jay, a former coworker at Webnoize, told me after reading some of the original versions of my (C)rock Stories, that if I could get 15-20 really good ones, I'd have a book.

I've been having fun going through my original blog post and adding tons of details from my journal, two newspaper articles I wrote during my journey, and from my cobwebbed memory. I'm also adding background info about places we visited, as well as updates about some of them, and delving into my childhood, my personality and my previous experiences and how they played into the trip.

Ideally, I'll publish the book as an ebook. Thanks for the inspiration, Haruki.

(I wrote this post a few weeks ago and in the meantime have finished Murakami's book and have moved on to Jack Kerouac's On the Road: The Original Scroll. After college, and before going on my above-referenced road trip, I read the originally published version of the classic book, which edited out the names of Kerouac's friends, as well as many (if not all) of the sex. I'm thoroughly enjoying this livelier version.)

Diggin'

Maybe it's nothing.

Maybe, as one wag on Facebook wrote after I posted this picture on my timeline and wondered whether it was an arrowhead, Stone Age tool or a petrified shark's tooth, "It is a shard of rock that by chance is somewhat triangular shaped and looks like all the things you mentioned."

Maybe I let my imagination run wild. Maybe it's a coincidence. Maybe some kid in my neighborhood spent a day fashioning a triangle out of stone in order to teach himself geometry.

Maybe.

I've long been fascinated by archeology, "the scientific study of material remains (as fossil relics, artifacts, and monuments) of past human life and activities," as Merriam-Webster defines it. I don't recall what sparked my interest. Perhaps it was reading my parents' copy of Erich von Daniken's "Chariots of the Gods?" when I was a kid. Von Daniken theorizes that the Egyptian pyramids, Stonehenge and the giant head statues on Easter Island, among other artifacts and monuments, were produced by extraterrestrials or by humans with help from ET's.

As I've written before, the book also sparked my life-long interest in UFO's (see August 7, 2011, "Sucked Back In").

My other blog, The Backside of America, focuses on archeology in a completely non-scientific way. My fellow contributors and I share an interest in taking pictures of forgotten highway overpasses, abandoned factories, dilapidated barns, rusting cars, run-down diners, faded signs painted on old brick buildings, sanctuaries hidden in the woods, etc. and writing about them. Sometimes we just share our photos; other times we provide some insight into why we took the pictures, and the history behind the subjects.

Time machines don't exist. Therefore, the best way to travel into the past is through researching and understanding who our ancestors were, how they lived, where they lived, what they did, how they died, what they loved, what they hated, what they made, and so forth.

On my recent trip to New York City with my family (see April 23, 2012, "NYC Three Times"), I was surrounded by skyscrapers, traveled underground on subways, rode in cabs on jam-packed streets -- the total urban experience.

As much as I love being in Manhattan or Boston or other big cities, I find myself trying to imagine what the land beneath the concrete and metal looked like 500 years ago, when rivers flowed, trees swayed in the breezes, animals roamed freely and Native Americans lived in small villages and planted and hunted for their food.

Then, I think about what our world will look like 500 years in the future. Will it be a Space Age utopia, like we've been hearing about for decades upon decades? Will the population maintain a manageable level? Will there ever be a universal peace? Will we control greenhouse gases? If not, will humans die out, and Mother Nature reclaim the landscape

Bigger questions than I usually write about or think about, but ones that pop into my head from time to time. And when I stumble across something as simple as a triangular stone that may or may not be an artifact from an earlier citizen of my neighborhood, I can't help but be fascinated by how quickly things change in our world, and how quickly we forget those who came before us, and to learn from them.

Maybe all these thoughts are coming to me lately because, having recently turned 47, I'm starting to truly feel middle-aged. I listen to the music that my nearly-10-year-old son, Owen, likes -- trance techno -- and shake my head. I see an older man, perhaps 65, shopping at the grocery store and wearing sandals and sporting an earring, and I identify more with him. "I can see him flying his freak flag during the Summer of Love," I tell myself.

I look all around me everywhere I go and see everybody consumed by smart phones and I wonder about the questions that archeologists 200 years from now will have about all these gadgets, which, as cool as they may be now, will seem so primitive in the not-too-distant future.

And I wonder about my own legacy. Am I raising my kids the best way I know how? Will they turn out OK, and be happy with who they are and what they do? Will sales of my short story collection soar after my death? Will I ever put out that UFO concept album I've been talking about for years? And the companion novel? Will I publish the children's books I've been tinkering with for the last couple years?

Let's hope the answers to those questions are: yes, yes, yes, yes, and yes.